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Wednesday, 25 January 2012

What Makes a Great Photograph?

I'm sure this article will be controversial. I mean, after all, how do you objectively characterise what makes a good photograph? It's not like marking a mathematics paper, where there is always a right or wrong answer. Photography, much like any other art form, is very subjective. That said, I do believe that there are certain elements that all great photographs share in common. Here's my (subjective) attempt at defining them:

Jordan Carver
Great use of Light

I've placed this in position 1, because photography is essentially all about light. As has been said many a time, photography literally means 'painting with light', and to become a true master of this discipline requires that you can read and understand light in the same way that you read and understand language- Metaphorically, it is one of the linguistic building blocks of photography.

When taking a picture, great photographers will consider the direction as well as the quality of light. Is the subject side lit, or back lit? Is the light source hard or soft? Will I set up the picture so that it is low-key or high key? Depending on the answers to these questions the overall emotional feel and aesthetic of the image will change radically, thereby changing its meaning. To give you an example, look at some classic pictures taken of jazz clubs in low light. Typically these are low key in nature and they create a very definite 'noir' aesthetic. Play around with light so that it supports the meaning you are trying to convey in the image.

Great Composition

As in great art, great photographs generally have a sense of compositional form and balance that is pleasing to the eye. As a starting point it's a great idea to understand the basic rules of composition, such as using the rules of thirds. Once you have learned them though, don't be afraid to play around with them and break the rules. It's a way of establishing your own unique style, and who wants to be limited by rules anyway?

Emily Scott
A Sense of Timing

Take a look at the work of Henri Cartier-Bresson, the undisputed master of street photography, and you will notice that, as well as having complete mastery of composition, he was also a master of timing. He knew how and when to anticipate what he called 'The Decisive Moment'; that point in time when all of the elements of the image fall into place and when the emotional 'pitch' of the story is at its peak. Great timing is essential in photography. Practise being patient, and remember to try to anticipate the best moment at which to engage the shutter button.

A Clear Subject

Great photographs generally have a very clear idea of what the core subject of the photograph is. If you find that when you frame an image the subject is unclear then try taking out any unnecessary elements. Sometimes simplifying the image is the best way to improve it.

Try experimenting with these different elements to see what works for you. Don't forget you only get better with plenty of practise. Good luck!

Author: Matt Foden
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